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Kobby Ben Ben, No One Dies Yet. This is one of the most overtly gay books I have ever read. Gosh is there plot-essential homosexuality going on here. It's largely about the relationships between Ghanaians and the Americans who are visiting for Ghana's Year of Return, and we don't get many books like this in the US and I'm glad that's shifting, but also it means that some books will be quite a lot of "interesting in ways for which I am not the target audience."
Sylvie Cathrall, A Letter from the Lonesome Shore. Second and so far as I know last in its series. Not as strong as the first one. When I say that I like books with established pairings and not just watching people form new relationships all the time, this is not what I mean. It felt to me like the central couple's excitement and nervousness in dealing with each other was the main source of tension/anticipation in the first book in retrospect, because here it was a lot of cooing at/about each other in ways that...if these people were my real life friends, I would be happy for them but I would also want to get back to the subject at hand. Same with this. Ah well, still worth reading and I'll keep an eye out for what she does next.
Zen Cho, Spirits Abroad. Reread. Oh gosh I love this collection. It's one of my favorites, and with each story I reread, I thought, "oh, this one! I love this one!" Yay. Yay.
Paul Cornell and Rachael Smith, Who Killed Nessie?. I like cryptics, and I like Paul Cornell's work, but I probably wouldn't have sought this graphic novel out on my own. But since someone else brought it into the house I was perfectly happy to read it; it was fun.
Ben Davis, Art in the After-Culture: Capitalist Crisis and Cultural Strategy. Kindle. Davis uses the art movements of 20th century crisis eras to discuss different responses possible and how well they work. Interesting stuff, useful for the current moment.
Margaret Frazer, Strange Gods, Strange Men. Kindle. Another of her short pieces, a little farther afield but not particularly substantive. I expected this; I've already read the substantive ones.
Carolyn Ives Gilman, Arkfall. Kindle. This was an airplane double-feature with the Cathrall above; I had no idea that the theme of that flight was going to be "undersea science fiction and getting along with our neighbors," but it was and that was just fine with me. The setting was particularly vivid here.
Matthew Goodwin, Latinx Rising: An Anthology of Latinx Science Fiction and Fantasy. Read for book club. Most of the stories I liked were by authors I already liked, and the amount of sexism was startling considering how old a book it isn't. Not a favorite, I'm afraid, despite having some favorite authors in it.
Tove Jansson, Comet in Moominland and Finn Family Moomintroll. Rereads. For a mysterious upcoming project. Is it ever a bad choice to revisit Moomins: of course it is not. Unless you have not visited them in the first place, in which case what joy you have ahead.
Selma Lagerlöf, The Wonderful Adventures of Nils. Reread. So mysterious. The least of the rereads of this fortnight for me, because its didacticism suits me less well than the other books (and in fact less well than this author's adult works; I'm glad I went on to read them, because they're a different beast). On the other hand: idyllic romantic Swedish landscape writing, am I the target audience for that, sure, absolutely.
Suzanne Levine, Unfaithful: A Translator's Memoir. This is an example of a person who lived an interesting life but did not necessarily write an interesting memoir about it. I would have loved more about her translation work, more nitty gritty, what it was like to work with the notable authors she worked with. Instead it was a not particularly deep, not particularly vivid memoir without most of what made the subject of the memoir interesting to me. I suppose we're allowed to be interesting to ourselves in different ways than the obvious ones.
Astrid Lindgren, Pippi Longstocking, Pippi Goes on Board, and Pippi in the South Seas. Rereads. What could this mysterious project pertain to, it is a mystery that is very mysterious. Anyway it had been quite some time since I reread Pippi, and it was interesting which places I had the text so memorized that I could think to myself, "ah, they translated that differently than in the edition I had, they said barley soup in mine." I was actually surprised, given the element of making Ephraim Longstocking "king" of "South Sea Island" that there wasn't more horrifying racism than there was. Granted Pippi lies about people from other countries all the time. But she does lie; it's presented as lies, and it's generally not the shape of lie that reinforces ethnic stereotypes. So okay then, glad to find fewer razor blades than I feared in that lot of Halloween candy.
Linda Pastan, Almost an Elegy: New & Later Selected Poems. These are very straightforward, in places headlong, poems, and they deal with late-life issues for oneself and loved ones, but generally with a fairly light hand. I wanted to connect more than I did, but I'm not sorry to have read them.
Erich Maria Remarque, All Quiet on the Western Front. Kindle. And speaking of not sorry to have read: oh gosh. Well, I see why this was shocking at the time and redefined a whole direction of literature. It was a harrowing reading experience. Glad I read it, glad I'm done reading it.
Delia Sherman and Ellen Kushner, The Fall of the Kings. Reread. One of my very favorites. I reread this for my panel on monarchy and non-monarchical forms of government in fantasy, and it was so good about that, and I loved the shape of ending, I loved how it finally completed a social arc that began before Swordspoint, gosh I love this book.
Rebecca Solnit and Susan Schwartzenberg, Hollow City: The Siege of San Francisco and the Crisis of American Urbanism. This is very short and full of photos. I think it's mainly for Solnit completists and people with a strong interest in turn of the millennium San Francisco. I lived in the Bay Area at the time and not before or after, so in some ways my snapshot was Solnit's turning point, which is a very weird place to stand.
Anthony Trollope, The Prime Minister. Kindle. My least favorite Trollope that I've actually finished. The politics stuff is fun and interesting and I like the arc of it over the novel. The other plot, though, oh HELL NO. The Antisemitism! The general, quite intense, narratively supported xenophobia! The convenience of both an infant death and a suicide! I cannot recommend this, and I don't.
Katy Watson, A Deadly Night at the Theatre. When I was reading this, I said to some friends that I felt I'd wished on the monkey's paw for more books that are centered on friendship, only to get this one where the friends can have just as many stupid misunderstandings based on poor communication as any couple in a romance. Sigh. The mystery plot was fine, but I don't actually read mysteries for the mystery plot, so...I hope she figures out other shapes of friend plot to do.
Amy Wilson, Owl and the Lost Boy. Second in its series, and the titular characters are fighting off what seems like an endless summer--in magical form. I like it when people recognize that summer is not infinitely good, and that endless hot weather is in fact quite terrifying in 2025. Also it was a beautiful MG with friend plots that I liked much better than the adult mystery above.
Ovidia Yu, The Rose Apple Tree Mystery. Well, they can't all be bangers. I've really enjoyed this series of murder mysteries set in mid-twentieth century Singapore, and I intend to continue reading it, but the characterization in this was very flat, and the twist was so obvious that I was writhing and yelling at the book for at least half its page count, someone just figure out the thing already.